
This publication Corpus takes a particular form and offers a reading experience in several stages. First, by (re)reading Arzak l’Arpenteur in its computer-colorized version, starting with the image, the dialogue or both at the same time. In the second part, discover the very beautiful black and white sequel, without words, drawn in Indian ink and reworked in places on the computer. Finally, in the last part of compiled archives and research work, visualize the ending with multiple threads of intrigue and outcomes.








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